VICTIM 69

VICTIM 69 BY RASOOL DARWEESH The critical novel is a direct inspiration for the critic himself, in which the novelist writes the critic's thought and aspirations in a parallel line of building the usual fiction characters. Thus, the critical novel is a creative revelation in which the novelist portrays other characters such as himself as a critic as well as other characters in the narration. It is a long prose narrative, in which events are portrayed as the real or fictional characters, where the critic writes events according to his critical point of view, sometimes holding onto the theories in circulation, jumping on top of others because they disagree with him and are inconsistent with his view. It is a novel in which events flow through the characters, when the critic tries to restrict them, sometimes succeeds in his endeavor, and sometimes they leak from his fingers. Victim 69 has created a relative match between the novelist and the critic, between the narrator and the other characters implicitly or explicitly. It is worth remembering that to go through the critical narrative, critical and genuine subjective experience must be reflected in an imagined art template, and thus we must exclude the literal and actual match between the novelist and the critic's main character produced in her new world. Thus, applying the critical theories as new theories contained in the text becomes necessary, but within imposed by overlapping texts or what I have named "theft-textuality". Rasool Darweesh